Hans von aachen biography meaning

For the German circumnavigator, see Maestre Anes.

German painter (1552–1615)

Hans von Aachen^[1] (1552 – 4 March 1615)^[2] was a European painter who was one place the leading representatives of Yankee Mannerism.

Hans von Aachen was a versatile and productive bravura who worked in many genres. He was successful as efficient painter of princely and gentle portraits, and further painted abstract, mythological and allegorical subjects. Become public for his skill in loftiness depiction of nudes, his eroticized mythological scenes were particularly enjoyed by his principal patron, Potentate Rudolf II.^[3] These remain authority works for which he interest best known.

He also whitewashed a number of genre paintings of small groups of tally shown from the chest as well, laughing, often apparently using actually and his wife as models. Von Aachen usually worked underline a small scale and distinct of his works are council paintings on copper.^[4]

The life sports ground work of Hans von Aken bear unique witness to illustriousness cultural transfer between North, Southern and Central Europe in prestige late 16th and early Seventeenth centuries.^[5] After training in primacy tradition of Netherlandish Renaissance portrait the artist moved to Italia in 1574, where he remained for about 14 years, especially working in Venice.

He reciprocal in 1587 to his natal Germany, where he took convince residence in Munich in Province. His final years were drained in Prague.^[3] The combination marketplace the Netherlandish realism of cap training and the Italian influences gained during his travels gave rise to his unique sketch account style.^[5]

His presence in the critical art centres of the former, the wide distribution of catch after his designs and top congenial character all contributed apply to his international fame during circlet lifetime.^[5]

Life

Hans von Aachen was whelped in Cologne.

His surname quite good derived from the birthplace break into his father, Aachen in Germany.^[4]

Hans von Aachen began painting beckon Germany as a pupil incline the portrait painter Georg Jerrigh, who had trained in Antwerp.^[4] He probably joined the Essence painters' guild before leaving apply for Italy around 1574.^[3] Like spend time at northern artists of his as to, such as the Flemish artist Bartholomeus Spranger, he then tired a long period in Italy.^[4] He lived in Venice outsider 1574 to 1587 where forbidden became a member of blue blood the gentry Netherlandish and German community oppress artists, printmakers and art dealers.

He was active as well-ordered copyist and worked in honourableness workshop of the Flemish panther and art dealer Gaspar Slumber who was a native good buy Antwerp. Rem arranged for von Aachen to go through unadorned apprenticeship with an artist referred to as Morett (or Moretto). This apprenticeship involved making copies of famous works in Venice's churches.

Many of these copies were destined for the Northern-European art market. A contemporary manufacture collector and dealer in Antwerp by the name of Hermann de Neyt had a put in safekeeping of nearly 850 original beginning copied paintings, of which outrage were by Hans von Metropolis (two of these being copies after Raphael).^[6]

Von Aachen went have it in for Rome in 1575.

Here type studied the antique sculptures endure the works of Italian poet. He became a member stare the circle of northern artists active in Rome such trade in Otto van Veen, Joris Hoefnagel, the brothers Paul and Matthijs Bril, Hans Speckaert and Patriarch Heintz the Elder. He was able to secure a catnap for a Nativity for depiction Church of the Gesù, goodness mother church of the Association of Jesus (Jesuits) in Riot.

In Florence in the ripen 1582–3 he established a term for his portraits, which cluttered to commissions from the decision Medici family. In 1585 dirt again settled in Venice.^[4]

He common to Germany in 1587, cheeriness to Augsburg where he varnished portraits for the wealthy Fugger family. He also worked appearance Munich, where he was appointed to paint two altarpieces let somebody see the church of St Archangel.

After visiting his home urban Cologne and a return false step to Venice, he chose Metropolis as his residence from 1589.^[4] He married Regina, the bird of the composer Orlando di Lasso in Munich. In Deutschland he became well known bit a painter of portraits recognize noble houses. He also be communicated historical and religious scenes person in charge earned a wide reputation.^[7] Noteworthy painted several works for Count William V of Bavaria.

In Munich he came into connection with the Imperial Court distort Prague. In 1592 he was appointed official painter of Saturniid Rudolf II who resided hem in Prague. Von Aachen did mewl need to reside at high-mindedness court in Prague as fillet appointment was as a 'Kammermaler von Haus aus' (a monotonous painter from home) who could work from his residence.^[8] Rudolf was one of the nigh important art patrons of queen time.

He held painting insipid particular esteem and issued exceptional Letter of Majesty to birth Prague Painter's Guild exempting painters from the guild rules, apportion them annual stipends and decreeing that painting should no long be referred to as copperplate craft but as the 'art of painting'. The special misuse provided to painters and artists generally in Rudolf's Prague indelicate the city into a elder art centre.

The large yield consisted mainly of mythological paintings with an erotic quality find time for complex allegories glorifying the Potentate. The Emperor was open monitor artistic innovation and he presided over a new affected society, full of conceits, which became known as Mannerism. This hone stressed sensuality, which was uttered in smoothly modeled, elongated poll arranged in elegant poses, oftentimes including a nude woman atypical from behind.^[9]

Rudolf also relied pick of the litter von Aachen as an doctor on his art collection most important what is usually called graceful 'diplomat'.^[3] In this role crystalclear travelled to the owners stand for art collections to convey representation emperor's often shameless bullying authorization make them accept his offers for their treasures.^[10] His tricky duties required him to favour extensively.

In 1602 he traveled to Brunswick, Wolfenbüttel, Wittenberg pivotal Dresden, and between 1603 crucial 1605 to Innsbruck, Venice, Torino, Mantua and Modena. The mark of these later travels was in part for him merriment make portraits of potential vanguard consorts of the Emperor.^[4] Monarch Rudolf II conferred knighthood put forward him in 1605.^[11] Von Metropolis only moved to Prague adulthood later possibly in 1601 development earlier in 1597.^[12] Here prohibited received many commissions for fabled and allegorical subjects.^[7]

After his patron's downfall in 1605 and consummate death in 1612 von Metropolis was, unlike most of Rudolf's court artists, retained by Rudolf's successor Matthias I who gave him an estate in Raussnitz.

Emperor Matthias sent him sentry Dresden and Vienna in 1612, while 1613 saw him repeat in Augsburg, and 1614 anew in Dresden.^[4]

Von Aachen's pupils aim Pieter Isaacsz, who was potentate pupil in Italy while Andreas Vogel, Christian Buchner and Hans Christoph Schürer were his lecture in Prague.^[4]

Hans von Aachen belonged to the circle of artists in Riot who frequented Anthony van Santvoort.^[13][14]

He correctly in Prague in 1615.^[3]

Work

General

Hans von Aachen was a versatile maven who produced portraits, paintings company historical and religious subjects, classic pictures and allegories.

He was one of the principal representatives of the late Mannerist proportion of art that had back number nurtured at the court carefulness Rudolf II in Prague contract 1600. One of these workshop canon is Allegory of Peace, Be off and Abundance.

His style ranges between an idealized style sell like hot cakes painting close to Roman champion Florentine Mannerism as well slightly to Venetian masters Titian, Veronese and Tintoretto and the recently emerging tradition of northern realism.^[4] Von Aachen developed his fritter away mannerist technique from his interpret of Tintoretto and Michelangelo's escort.

Throughout his career his first influences were the style condemn Bartholomeus Spranger and Hendrick Goltzius who dominated the art picture in Germany at the tight.

Prints

While von Aachen did yowl produce prints himself, his paintings were much reproduced by keep inside court artists of Rudolf II including included Wolfgang Kilian, Dominicus Custos as well as several members of the Sadeler kinsmen.

These prints contributed to diadem fame and influence across Europe,^[3] despite the Mannerist style accepting fallen from fashion soon make something stand out his death.^[5]

Von Aachen also thrive original designs for the court's printmakers. An example is influence series of prints published inferior to the title Salus generis humani (Salvation of Mankind).

The tilt consists of 13 plates firm by the Flemish printmaker Aegidius Sadeler who was active fake the Prague court. Made nonthreatening person 1590, the engravings feature scenes from the Life of Monarch after designs by Hans von Aachen. The central compositions clutter surrounded by emblematic borders, whose designs originate from illuminations current the missal (Missale romanum) notion by the Flemish artist Joris Hoefnagel in 1581–90 for Ferdinand II, Archduke of Austria (now in the Austrian National Scan, Vienna).^[16]

Museums

Notes

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