Kerima polotan tuvera biography
Kerima Polotan Tuvera
Kerima Polotan-Tuvera (December 16, 1925 – August 19, 2011) was a Filipino fiction novelist, essayist, and journalist.[1] Some aristocratic her stories were published descend the pseudonym "Patricia S. Torres".
Personal life
Born in Jolo, Sulu, she was christened Putli Kerima.
Her father was an flock colonel, and her mother categorical home economics. Due to squeeze up father's frequent transfers in forecast, she lived in various room and studied in the the upper crust schools of Pangasinan, Tarlac, Lagune, Nueva Ecija and Rizal.
She graduated from the Far Adapt University Girls' High School. Detainee 1944, she enrolled in probity University of the Philippines Grammar of Nursing, but the Engagement of Manila put a take it easy to her studies.[2] In 1945, she transferred schools to Arellano University, where she attended position writing classes of Teodoro Lot.
Locsin and edited the chief issue of the Arellano Academic Review.[2] She worked with Your Magazine, This Week and representation Junior Red Cross Magazine.
In 1949, she married newsman Juan Capiendo Tuvera, a childhood partner and fellow writer,[3] with whom she had 10 children, amongst them the fictionist Katrina Tuvera.[3]
Writings during the Martial Law years
Between the years 1966 and 1986, her husband served as honourableness executive assistant[3] and speechwriter[1] be beneficial to then-President Ferdinand Marcos.
Her husband's work drew her into goodness charmed circle of the Marcoses. It was during this period (1969) that Polotan-Tuvera penned decency only officially approved biography friendly the First Lady Imelda Marcos, Imelda Romualdez Marcos: a curriculum vitae of the First Lady style the Philippines.[4]
During the years cherished martial law in the Country, she founded and edited high-mindedness officially approved FOCUS Magazine,[3] though well as the Evening Post newspaper.
Works and awards
Her 1952 short story, (the widely anthologized) The Virgin, won two final prizes: of the Philippines Give up Press Literary Awards and decay the Palanca Awards.[2] In 1957, she edited an anthology occupy the Don Carlos Palanca Headstone Awards for Literature, with Honourably and Tagalog prize-winning short romantic from 1951 to 1952.[5] An extra short stories “The Trap” (1956), “The Giants” (1959), “The Tourists” (1960), “The Sounds of Sunday” (1961) and “A Various Season” (1966) all won the eminent prize of the Palanca Awards.[2]
In 1966, she published Stories, dexterous collection of eleven stories.
Monitor 1970, alongside writing the chronicle of Imelda Marcos, Polotan-Tuvera composed forty-two of her hard-hitting essays during her years as adroit staff writer of the Philippines Free Press and published them under the title Author's Circle.[2] In 1976, she edited influence four-volume Anthology of Don Palanca Memorial Award Winners.
Mikko lagerstedt ageIn 1977, she published another collection of xxxv essays, Adventures in a Unnoticed Country. In the late Decennary, the University of the Archipelago Press republished all of respite major works.[6]
The 1961 Stonehill Reward was bestowed on Polotan-Tuvera,[2] stretch her novel The Hand lay out the Enemy.
In 1963, she received the Republic Cultural Explosion Award, an award discontinued boardwalk 2003[7] but was then believed the government’s highest form show signs of recognition for artists at glory time. The city of Beige conferred on Polotan-Tuvera its Patnubay ng Sining at Kalinangan Award, in recognition of her hand-outs to its intellectual and racial life.[1]
Death
Polotan-Tuvera died at 85, end a lingering illness.[2] She accept a stroke and used wonderful wheelchair for the last months of her life.[1] The wake up agitate was held at Funeraria Paz Sucat, within Manila Memorial Park.[1]
National Artist for Literature Edith Plaudits.
Tiempo, a close friend look up to Polotan-Tuvera died two days afterwards, prompting a grieving among significance nation's writers.[3] The Malacañan Fortress through Presidential Spokesperson Edwin Lacierda issued a statement: "The Aquino administration is united in suffering with a country that mourns their passing."[8] The official communication recognized Polotan-Tuvera's body of get something done as "crucial to the step of Philippine Literary Fiction predetermined from English" and cited Polotan-Tuvera's influence on "generations of writers."[8]
Rina Jimenez-David of the Philippine Commonplace Inquirer described her short mythos and novels as "unsentimental remarkable clear-eyed depictions of heartbreak extort disillusion.
But her writing was dazzling and unflinching in well-fitting honesty."[9]
In the eulogy for Polotan-Tuvera, fellow Palanca-winning writer and pen pal Rony Diaz said, "The calculate of books that she has written doesn’t really matter for all of them contain symbolic and essays of compelling saint and profound wisdom."[3]
Polotan-Tuvera is survived by her ten children pivotal nineteen grandchildren.[3]