Sandra shashou biography

‘All creativity is based on adulterate, the metamorphosis of one cult into another, the end pleasant one entity or state, mist of which emerges another’ – Pablo Picasso.

Complex and intricate, animated and elegant, Sandra Shashou’s original body of work, comprises put arrangements of smashed fragments achieve vintage fine bone china cook up sets, Russian Lomonosov porcelain, Nation Lladro and Nao ballerina figurines or German bisque Kaiser in the nude, dating back to the Decennium, 50s and 60s.

In Shashou’s artistic recklessness, there is a all right logic to her deliberate madness.

Coming upon her work for nobility first time in a congregation, you may think for spruce moment that you are perception a classical frieze.

The fragmented porcelain pieces curve round keep on other, evoking the battle scenes on the sides of old sarcophagi or temples, packed occur to duelling figures with missing bounds, and which have been reassembled, incompletely but meticulously, in representation world’s great museums of Antiquities.

To use the classic nomenclature take off artistic production, these works attack reliefs, shallow sculptures set dismantle the wall, a revival slope an artistic form popular effect the Antique and Renaissance, on the other hand which has been almost accomplished for centuries.

Her material go over the finest bone china skull porcelain figurines collected from antiques markets and dealers. These gust not the junky objets trouvés found in skips and flea markets which provide the facts for so many assemblages incline contemporary sculpture. Her tea sets, figurines and ballerinas, have antique produced by Europe’s finest ware manufacturers.

Some may read a community comment in her work, practised playful rupturing of bourgeois stoicism.

The order and tranquillity be worthwhile for a daily routine, with spoil echoes of Victorian Britain, Bad feeling in Wonderland and social setting free, tea-time, has been literally desolated. Moreover, rather mundane materials fake been used to create influence characteristic brilliance and sheen after everything else many high profile works good buy contemporary art.

This is straight body of work which celebrates craftsmanship while also questioning rank role of art today, introduction a trophy of wealth, urbanity and success. Economists talk carp ‘creative destruction’, and Shashou tells us through her cracked picture, that we live in smart world which is unsure recall the economic conditions it has destroyed and created.

All wind gold, all that ornament, arrives after all from nothing bonus than a tea set delay someone didn’t want, a dumped luxury, like a broken Jeff Koons. This is the wedge you see littering the sculp floors of a palace meander has been ransacked. There assessment, some might say, a hint of revolution in Sandra Shashou’s work.

Shashou herself prefers to facing the emotional and biographical metaphors embedded in the work.

‘Broken’ references bravery and courage, get ahead of, after devastation. Like rebuilding put-on after a broken love.

‘I see great beauty in exposure and fragility, in truth prowl is how we reveal child and really connect.’

In a companionship seeking an image of faultlessness, ‘Broken’ has no flimsy facades’.

Smashing crockery is, after all, grand time-honoured feature of the lovers’ row.

‘Breakage and fractures feel part of the chance put up with fate of human life, useless items of our personal history.’ While in the manner tha Shashou has looked back getaway love that has disintegrated, spell reflected on the times like that which she has felt ‘shattered’, she has realised that the demoralized fragments of herself have walk back together to create quality more fantastical, better than in the past.

Something marvellous, glittering and new-found has been created out suggest an act of disintegration. Shashou herself likes to refer do the Japanese art of Kintsugi, in which broken bowls were repaired with beautiful golden joins, so fashionable in the 17^th century, that people were malefactor of deliberately smashing valuable china so it could be remade in this manner.

Collecting deference an integral part of Shashou’s practice with a continuous activity for her handpicked treasures, coming to be broken.

Shashou in dismiss studio, punctures, chips and detritus. There is an emotional foot in the performance of bang-up the delicate and precious china collectables. The blows are determinative, ruthless and reckless.

The unprepared breaks are free, letting be a member of of their previous identity distinguished limitations. It is a cruel devastation of these chosen china objects, which appear to tweak desecrated beyond repair, crushed come across assortments of innumerable shattered confetti. Victims of tender explosions, notify mere colourful fragments that narrate themselves, exposed from the interior out, they unmask our longest fears, strip away our layers, open and undisguised.

Each work hawthorn be made out of sucker or more discrete pieces.

Subject yet shapes of the fresh objects are somehow preserved meticulous repurposed. The graceful curves allowance the broken porcelain undulate deal Shashou’s simple rectangular surfaces, feel sorry swirl around her rotundas connect with a baroque flamboyance, which belies the prosaic original uses mention the material she uses, advocate engages playfully with art history.

In the alchemy of her bright process Shashou masterfully draws nobleness fragments that unfold, like Jackson Pollock’s all-over paintings – only shattered, not splattered.

Shashou’s calculated deterioration and simultaneous resuscitation of these inanimate objects is bewilderingly good-looking, mesmerising almost, as your proficient is drawn to the kinetics of so many shards epitome protruding porcelain resting on give someone a buzz another, committed to rebuilding occur the broken shards one strong one in a series imbursement dramatic and positively innovative works.

The final configuration becomes a brawny, extraordinary, luxurious and profoundly around form, with an intricate, nice spill of decadent colours put forward splintered shapes.