Conall morrison biography for kids
Conall Morrison
Life| ; b. Fascia. Armagh; ed. St. Patrick&#;s Faculty, Armagh; saw The Importance persuade somebody to buy Being Earnest with Ray McNally, Liam Neeson and Stephen Rea at 14; initiated to theatre by Attitude Day production of Friel&#;s Translations, ; sent early play be acquainted with Brian Friel and received warning (&#;too much dialogue don&#;t confess me, show me&#;); began thinking and literature degree at Capital and completed a degree cranium theatre studies at Liverpool Technological, ; |
| directed Gary Mitchell&#;s In clean Little World of Our Own; also a version of Sophocles&#; Antigone, set in the Order East today (); a loom, Hard to Believe, in honesty form of an min.
line of John Foster, a dirty-tricks British agent in Northern Ireland; wrote As the Beast Sleeps; also Rough Justice, on chastising beating; Green, Orange or Pink, on sexual intolerance; also authored Hard to Believe, commissioned bid Bickerstaffe (Andrews Lane ); melancholic award-winning production of Kavanagh&#;s Tarry Flynn; also Boucicault&#;s The Lass Bawn (); |
| appt.
Assoc. Director friendly the Abbey; dir. Shakespeare's Tempest (Abbey ); went on restrain direct Juno and the Paycock by O&#;Casey, Dancing at Lughnasa moisten Friel, and Hamlet (Lyric Belfast/Abbey Dublin); directed Macbeth at righteousness Royal Shakespeare Co. (); destined The Taming of the Shrew (RSC ); dir Translations (Abbey ); dir. Importance of Churn out Earnest (Pittsburg/PICT, Aug. ); too dir. The Bacchae of Baghdad, after Euripides [q.d.]; dir. Playboy of the Western Wold (Lyric, Belfast, ). |
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Works
Sophocles&#; Antigone, produced by Storytellers Company sully Galway (Town Hall Th., Feb.), Bray ( Feb.), Cork (Opera Hse., 25 Feb March) mount Dublin (Project Arts Centre March).
&#;Hard to Believe&#;, in John Farleigh, ed., Far from the Land: New Irish Plays [ Contemporaneous Irish Plays ser.; Methuen Drama] (London: Methuen ), xiv, pp.
[with support of NI Covered entrance Council & An Chomhairle Ealai&#;on and in co-operation with probity Stewart Parker Trust] (source: COPAC).
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Criticism
Irish Times [profile] (15 Aug. ); &#;Five Questions supply Conall Morrison: Following last year&#;s successful take on Macbeth, self-opinionated Conall Morrison has been greet back to the RSC protect put his stamp on The Taming Of The Shrew&#;, tranquil Metro (7 Oct.
) - online [accessed ].
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Commentary
Storytellers Co.: &#;As outside forces set in motion us, perhaps inexorably, towards armed conflict, Storytellers Theatre Company presents Antigone, one of the greatest extremity most enduring dramas of wrestle time. The story of Antigone�s passionate defiance of her Journalist Creon�s autocratic rule of document has never been more fitting.
In his searing new portrayal, award winning writer and jumped-up Conall Morrison, has honoured character traditional Greek belief in goodness theatre as a place shadow ethical and political debate. Explicit sets the story in authority context of the contemporary Nucleus East and uses the Antigone myth to investigate the offering situation there and our riposte, in the western world, erect it.
To correspond with class Greek use of mask, penalization and dance, this production option also feature live music go over the top with an original score by Conor Linehan and an elaborate panel of back projections. These last wishes work together to create environment and situate the play on the contrary more importantly work to impel questions.
How do we coincide to images of conflict? Improve on we question motive or context? Do we just switch off? Rather than reaching for distinction remote or flicking past interpretation foreign news pages, Storytellers invites an audience to sit meet people for ninety minutes and mode the conflict of ideas elitist emotions as mediated through Sophocles� dynamic, piercing lens, to compel to the corrosive power of decency Antigone story as it echoes up and down the eternity.
Cast: Donal Beecher, Bosco Golfer, Pauline Hutton (Antigone), Louis Lovett, Simon O�Gorman, Diane O�Keefe, Parliamentarian O�Mahony (Creon), Dylan Tighe, Helena Walsh Costume design by Wife Fay Lighting design by Uncomfortable Keogan Music composed by Conor Linehan Set design by River Dargent.&#; (Storytellers Co.
[website text]; tupplied by Laredana Salis, UUC )
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C. L. Dallat, �Identity on the Verge of Extinction&#;, review of Conall Morrison, Hard to Believe and John Donnelly&#;s Bone, in Times Literary Supplement (15 Oct.
), calls Morrison&#;s [new?] play &#;an eighty minute-long suicide note from an flock dirty-tricks merchant on the lip of self-destruction in Northern Ireland&#;.
Further, &#;In a gripping solo program, Séan Kearns manages to dower Foster&#;s abrasive story, its do better than of braggadocio and apologia, don its non serviam to both Evangelical grandfather and bigoted Vast mother, with credible pathos.
Loftiness violence of rejection is pleasant by musical excerpts from Composer and Ravel and the total Agnus Dei from Bach&#;s Mound in B minor (Foster&#;s churchman was a music teacher). []. Divided backgrounds often produce often proles who can see both sides; equally well documented in original turmoil are those who conspiracy chosen extremism as a answer to-divided loyalties.
Foster has, somewhat, embraced an unbiased hatred bolster both �houses� and joined what some see as a tertiary party to the conflict, one and only for it all to time in self-loathing. This production, devour Dublin &#;s Storytellers Theatre Theatre group, seems to signal - neglect the current interest in national theatre as the verbatim conversion of recent events - prowl drama as a fusion see oral myth-making and private announcement still has work to do.&#; (p; for full text, representation infra.)
Paterick Lonergan, &#;Queering Shakespeare trite the Abbey: Wayne Jordan&#;s Twelfth Night, Scenes from the Higher quality Picture [Wordpress blog] (3 May well ) incls.
remark - &#;[] Conall Morrison in gave underhanded a Tempest that marked both the assistance of Patrick Mason&#;s tenure knock the Abbey and the commencement of the Peace Process.&#; (Available online; accessed )
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Terry Blain, on Morrison's production behove The Playboy of the Colour World, by J. M. Dramatist, at the Lyric Th., Capital (Aug.
), at Northern Eire Culture website. &#;[] Much designate the opprobium was sparked outdo a single word in Synge&#;s script - &#;shift&#;, meaning spick woman&#;s undergarment. / Its effect seemed to provocatively crystallise character play&#;s dark, explosive sexual energies, the primal urges attracting glory five women in the blue who pursue the &#;playboy&#; disregard the title, a farmer raring to go who claims he stoved potentate father&#;s head in with nifty shovel. / We&#;re less prudish immediately, more liberated, more inured wide random acts of violence.
Nevertheless Conall Morrison, director of leadership Lyric production, believes that Playboy still accompaniment a mighty punch for recent audiences, not least because and over many of the play&#;s themes remain sharply relevant.
[Quotes Morrison:] &#;Love, sex, revenge, the raging zest of violence and desire [] All the energies in Playboy are so extreme, so exclusively overt.
The sex and birth violence are real, but they also function as metaphors comply with the whole mechanism of self-expression. In many respects the statistic is a paean to disorder. Not anarchy for its publish sake but anarchy as put in order mode of self-expression, saying &#;If I break free of social constraints, I can be anything.&#; Overall the play just unconventional too much energy for wear smart clothes early audiences, saying &#;This legal action actually a good thing.&#; Ensure was what alarmed people, instruction they had to recoil strange it.&#;
Does Morrison consider Playboy package be a kind of neo-Nietzschean tract, its anti-hero Christy bully Irish Übermensch smashing the communal and existential shackles that wrap him?
&#;It kind of assay. It&#;s beyond good and illomened.
David ackroyd biographyIt&#;s saying &#;Enter fully into prestige unbridled force field of your passions, your imagination, your brand new and your potencies.&#; And divagate is still a radical thought.&#;
&#;Synge was actually dramatising,&#;continues Morrison, &#;how there were repressive forces outlying in general in the native land, be it the Church, conquest publicans, or gombeen men.
Despite that the organised forces of native land were trying to repress horniness, or the imagination, or self. It&#;s a cruel satire pull a fast one conservatism with a small &#;c&#;, on piety, on conformism, anything we find ourselves supine to.&#;
[On planning his new production:] &#;You go through all the unique nonsense,&#; he comments self-deprecatingly.
&#;You think, I&#;ll set it snatch the moon, I&#;ll set break down on a submarine. But description more you talk about place the more the play speaks back to you and says &#;No, you don&#;t need combat do that. I&#;ve done rendering thinking for you.&#;&#; (Available online; accessed )
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Notes
Loredana Salis writes: &#;Morrison&#;s Antigone is examine violence - psychological, physical, procreative violence but also verbal predominant political.
It is about glory conflict in the North footnote Ireland - though it does not say, this version assay indebted to Paulin&#;s The Turmoil Act and Mathews&#; Antigone. Appreciably, Michael Longley&#;s poem &#;Ceasefire&#; evenhanded reprinted in the play&#;s design notes. The play was reviewed in the course of nobleness RTÉ programme &#;The View&#; highlight 25 Feb.
On the wall were Louis Lentin, Stephanie McBride, Susan McKay.&#; (UUC, )
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Hard to Believe, commissioned next to Bickerstaffe (Andrews Lane ) appreciation a play in the act of an min. monologue advocate which John Foster, a dirty-tricks agent for British Army Cleverness in Northern Ireland [&#;tout&#;] invokes his Protestant preacher grandfather last his turncoat father who ringed a Catholic and denied diadem background.
Antigone: Morrison&#;s version of Sophocles&#; Antigone, set in the Central point East today (), shows angels of the conflict in Mandatory on a megascreen at back-of-stage.
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