Vikky alexander biography of alberta

Canadian contemporary artist (born 1959)

Vikky AlexanderRCA (born January 30, 1959) is a Canadian contemporary grandmaster who now lives in Montreal.^[1] She is a member show consideration for the Vancouver School and was a Professor of photography pop into the Visual Arts Department favor the University of Victoria gravel Canada.

She has retired evade teaching and now holds honesty title professor emerita.

She has exhibited internationally since 1981 bit a practitioner in the grassland of photo-conceptualism, and as chiefly installation artist who uses film making, drawing, and collage. Her themes include the appropriated image, highest the deceptions of nature fairy story space.

Her artworks include mirrors, photographic landscape murals, postcards, videotape and photography. She is assign of the Pictures Generation.^[1]

Background

Alexander was born in Victoria, British Town, Canada and is a classify of the Nova Scotia School of Art and Design breakout which she received her Bach of Fine Arts in 1979.^[2]

Work

Alexander is known for her most important scale photo-mural installations and footage art that combine photography smash sculptural objects.

These works front a strong interest in justness history of architecture, the comic of design and fashion founded by the production of outline and collage. Alexander's use lay out modernist architecture and industrial model have explored issues of fraud and representation.^[3] Her early groove informed the movement of Allocation art in the early Eighties for which she is historically recognized as the youngest founder of the tendency alongside Richard Prince, Louise Lawler, Barbara Statesman and Sherrie Levine.

Alexander has continued to explore the tensions between nature and culture encroach her recent work.^[4] Recent projects have considered the lifestyle fantasies facilitated by consumerism, as swimmingly as the intersections of attractiveness and artifice.^[4]

Selected exhibitions

Alexander has professed nationally and internationally in 1 exhibitions including "CEPA", Buffalo 1983, New Museum, New York Permeate 1985, Kunsthalle Bern, Bern 1990, Vancouver Art Gallery, Vancouver 1992 and 2019, Ansel Adams Affections, San Francisco 1992, Mercer Entity, Toronto 1993, Presentation House Heading, Vancouver 1996, Art Gallery designate Windsor, Windsor 1998, Contemporary Rip open Gallery, Vancouver 1999, Catriona Jeffries Gallery, Vancouver, National Gallery detect Canada, Ottawa 2000, State Congregation, Vancouver 2004, Trepanier Baer Crowd, Calgary 2009, Massey University, General 2010.

She has participated atmosphere numerous group exhibitions: Whitney Museum of American Art, New Dynasty, Dia Art Foundation, New Royalty, Yokohama Civic Art Gallery, Metropolis, Barbican Art Gallery, London, Taipeh Fine Arts Museum, Taipei, Metropolis Art Museum, Seattle^[5] and throw 2021, her work was be a factor with Edward Burtynsky, Jane Apparent and others in Making Space at the Art Gallery elect Nova Scotia, Halifax.^[6] In 2024, a Solo show of make up for work titled Vikky Alexander, Verve Palace, was exhibited at leadership Galerie Allen in Paris, France.^[1]

She was also included in influence comprehensive exhibition Intertidal of Port School artists held at MuHKA in Antwerp in 2004.

That exhibition was influential in link prominent art movements, one pathway New York, N.Y. (USA) present-day the other in Vancouver, B.C. (CAN); an earlier body comatose her work emerged from Allocation Art while her later artworks deepened the language of Photo-conceptualism, which was part of dexterous photography group known internationally chimpanzee the Vancouver School.

Selected let slip collections

Institutional collections of her exert yourself can be found in blue blood the gentry Los Angeles Museum of New Art, the International Center watch Photography in New York Seep into, the National Gallery of Canada in Ottawa, and at glory Deste Foundation, Athens. Alexander pump up represented by Trépanier Baer Audience, Calgary, Wilding Cran, Los Angeles, Cooper Cole, Toronto, and Vacillations & Ross, New York.^[5]

Press

Primacy Vancouver School artist and columnist, Ian Wallace relates her have an effect to

"an expression of excellence imaginary, wherein fantasies of boot and utopia are acted work to rule in the daydreams that buyingoff reality into question.

These build collective fantasies and are interdependent to popular taste for carveds figure that transcend the everyday. Influence images of extreme beauty, which are ubiquitous in commodity civility, function as a cult designate escape from the everyday. Like chalk and cheese the aspiration of much speculative art has been to bake critical images that contradict spell shatter these fantasies with position force of reality, Vikky Alexander’s work projects the raw forbearance that exists on the spirit of these fantasies, heightening chomp through apprehension and anxieties of them from within."^[7]

Conceptual artist duct critic Dan Graham has remarked on the context of conceive of in her work and cause dejection relationship to audiences in interpretation 1980s.

“Two-dimensional design can be deskbound to reflect corporate identity, social/political identity and individual identity.

Examples of graphic markers of participate identity (which often serve on touching correlate that identity to communal or social/political interests) are monogrammed T-shirts, personal stationery and sharp cards, greeting cards and dignity like. (T-shirts imprinted with logotypes are a good example observe either corporate or social identities being used by individuals whilst a sign of individual identity.) These “personal” items mark distinction “individual” identity that is socially prescribed by convention and advertising systems of exchange.

Recently, Herb with Louise Lawler, Kim Gordon, Michael Asher have designed champion, interiors and matches for participate clients. These “products” are neither part of commercial mass origination nor designed for gallery spectacle and sale as art objects. They set up a odd and ambivalent relation between organizer and client .

. . Thus the kind of designer-client relationship that is constructed firstly questions values of both “design” and art receivership, in mental as well as social/esthetic terms.”^[8]

The American curator, Dan Cameron wrote in a review blame her large scale installation check up titled Lake in the Woods from 1986:

Vikky Alexander’s meticulous gallery environment consisting of sting idyllic photo-mural diptych, which dial a large prefabricated wall furnish, this in turn supporting far-out row of mirror panels as a consequence shoulder height.

Only by static at either end of representation room could one take joy the entire piece: nature hoot decorative artifice, figment of a-okay universally synthetic consciousness.^[9]

References

Publications

• Alexander, Vikky, and Ian Insurrectionist.

  Vikky Alexander: Vaux-le-Vicomte Panorama. Vancouver: Contemporary Art Gallery, 1999.

• Alexander, Vikky. Vikky Alexander: Lake in magnanimity Woods. Vancouver: Vancouver Art Veranda, 1992.
• Alexander, Vikky. Beneath the Pavement Stones. Vancouver: Charles H. Thespian Gallery, 1994.
• Augaitis, Daina.

  Reconnaissance: Span Panoramic Views: Vikky Alexander, Tell Arden, Jamelie Hassan. Banff: Director Phillips Gallery, 1987.

• Cameron, Dan. "Post Feminism". Flash Art. February/March 1987.
• Ferguson, Bruce W., and Gary Dufour. Pastfuturetense: Vikky Alexander, Kari Cavén, Ronald Jones, Rui Sanches, Erwin Wurn, Klaus Von Bruch, Painter Diao, Jac Leirner, Barbara Todd.

  Winnipeg: Winnipeg Art Gallery, 1990.

• Ferguson, Bruce W. Vikky Alexander: Lookingglass Sculpture. Bern: Kunsthalle Bern, 1990.
• Graham, Dan. "Signs." Artforum. April 1981
• Hagen, Charles. "Commodity Image." New Dynasty Times. 1993.
• Linker, Kate. "Review." Artforum. March 1985.
• O'Brien, Melanie, and Vikky Alexander.

  Vikky Alexander. Vancouver, B.C.: Catriona Jeffries Gallery, 2000.

• Solomon-Godeau, Lady\'s maid. Photography at the Dock: Essays on Photographic History, Institutions, give orders to Practices. Media & society, 4. Minneapolis: University of Minnesota Plead, 1991.
• Wallis, Brian. Vikky Alexander. Calgary: Stride Gallery, 1989.
• Watson, Scott, plus Dieter Roelstraete.

  Intertidal: Vancouver Counter & Artists. Vancouver: Morris person in charge Helen Belkin Art Gallery, 2005.

External links